Monday, 16 November 2009

Fae mythology...part one


Fairies in Legend, Lore, and Literature

by Terri Windling


Where do fairies come from? Folklorists, philosophers, historians, mystics and others have debated this question for centuries. No one really knows how fairies originated — unless it's the fairies themselves, and they're not telling. What we do know is that tales of the fairies can be found on every continent around the globe, and that belief in the existence of the "Hidden People" is surprisingly widespread today.

In the 15th century, an alchemist named Paracelus divided fairies into four elemental groups:

sylphs (air), gnomes (earth), undines (water), and salamanders (fire).

They are made of flesh and blood, he said, and procreate like human beings but are longer lived than man and do not possess immortal souls.


In the 17th century, a Scottish minister named Robert Kirk wrote that fairies
"are of a middle nature betwixt man and angel,"
with
"light changeable bodies, like those called astral, somewhat of the nature of a condensed cloud, and best seen at twilight."

In the 19th century, the physiology of fairies was of great interest to the Spiritualists , who divided them into two basic types:

nature spirits tied to features of the landscape (a river, a pool, a copse of trees),

and higher spirits who lived on an astral plane between flesh and thought.

In the early 20th century, a Theosophist named Charles W. Leadbeater developed an elaborate system of fairy classification inspired by Darwin's theory of evolution.

Leadbeater maintained that fairies live on an astral plane divided into seven levels.

(Septagram symbol)


He believed the fairy race to be the original inhabitants of England, driven to its margins by the invasion of mankind; and he drew elaborate diagrams showing how the fairies had evolved.

His chart began with mineral life and then rose upward through water and earth, and through seaweed, fungi, and bacteria.

Further up the evolutionary ladder he showed how fairies developed through grasses and cereals, reptiles and birds, sea flora and fauna, until they matured into nature spirits linked to each of the four elements.

But evolution didn't stop there;

these nature spirits would in turn evolve into sylphs, then devas, and then into angels.

On the top rung of the ladder the fairies would become what he called "solar spirits" where they'd join with evolved humans in a more enlightened age.



Another Theosophist, Edward Garner, argued that fairies are allied to the butterfly genus, and are made of a substance lighter than gas which renders them invisible to human beings (except clairvoyants).

The function of fairies in nature, he said, is to provide a link between plants and the energy of the sun.

He wrote that the "growth of a plant which we regard as the customary and inevitable result of associating the three factors of sun, seed, and soil would never take place if the fairy builders were absent."

Franz Hartmann, a medical doctor, believed that fairies have a role in human psychology, explaining that

"the spirits of nature have their dwellings within us as well as outside of us, and no man is perfectly master of himself unless he thoroughly knows his own nature and its inhabitants."

Hope you enjoyed

Love and light
Trace x

Read about the fae....


Reading about the fae :
Adult Fiction:
The Broken Sword by Poul Anderson
A Midsummer Tempest by Poul Anderson
Strands of Starlight by Gael Baudino
The Wild Reel by Paul Brandon
The Hob's Bargain Patricia Briggs
The Truth About Celia Kevin Brockmeier
War for the Oaks by Emma Bull
Possession by A.S. Byatt
The Dreaming Tree by C.J. Cherryh
The Fairy of Ku–She by M. Lucie Chin
Jonathan Strange and Mr. Norrell by Susanna Clarke (winner of the World Fantasy Award)
The Ladies of Grace Adieu by Susanna Clarke
Little, Big by John Crowley (winner of the World Fantasy Award)
The Ill–Made Mute by Cecilia Dart–Thornton
Tam Lin by Pamela Dean
Jack of Kinrowan by Charles de Lint
The Little Country by Charles de Lint
The Wild Wood by Charles de Lint
Widdershins by Charles de Lint
The Stolen Child by Keith Donohue
The King of Elfland's Daughter by Lord Dunsany
Fairy Tale by Alice Thomas Ellis
Faerie Tale by Raymond Feist
Stardust by Neil Gaiman and Charles Vess
Strange Devices of the Sun and Moon by Lisa Goldstein
The Kappa Child by Hiromi Goto (winner of the Tiptree Award)
The Lastborn of Elvinwood by Linda Haldeman
Mortal Love by Elizabeth Hand
Ill Met by Moonlight by Sarah A. Hoyt
The Fox Woman by Kij Johnson
The Tooth Fairy by Graham Joyce
Thomas the Rhymer by Ellen Kushner (winner of the World Fantasy Award)
The Fairy Godmothers by Mercedes Lackey
The Wandering Unicorn by Manuel Mujica Lainez
Eccentric Circles by Rebecca Lickiss
The Grey Horse by R.A. MacAvoy
The Dark Mirror by Juliet Marillier
Daughter of the Forest by Juliet Marillier
Once Upon a Winter's Night by Dennis McKiernan
Solstice Wood by Patricia A. McKillip
Something Rich and Strange by Patricia A. McKillip (winner of the Mythopoeic Award)
Winter Rose by Patricia A. McKillip
The Hounds of the Morrigan by Pat O'Shea
The Sacrifice by Kristine Kathryn Rusch
Troll: A Love Story by Johanna Sinisalo
The Flight of Michael McBride by Midori Snyder
Singer of Souls by Adam Stemple
Photographing Fairies by Steven Szilagyi (winner of the World Fantasy Award)
The Mysteries by Lisa Tuttle
Kingdoms of Elfin by Sylvia Townsend Warner
The Autumn Castle by Kim Wilkins
The War of the Flowers by Tad Williams
Snow White and Rose Red by Patricia C. Wrede
Young Adult Fiction
The Folk Keeper by Franny Billingsley
Tithe by Holly Black
Valiant by Holly Black
I Was a Teenage Fairy by Francesca Lia Block
Faerie Wars by Herbie Brennan
Summerland by Michael Chabon
Shadow Castle by Marian Cockrell
Artemis Fowl by Eoin Colfer
Stealing the Elf–King's Roses by Diane Duane
The Sea of Trolls by Nancy Farmer
Aquamarine by Alice Hoffman
Indigo by Alice Hoffman
A Dark Horn Blowing by Dahlov Ipcar
Fire and Hemlock by Diana Wynne Jones
A Midsummer's Nightmare by Garry Kilworth
The Stones Are Hatching by Geraldin McCaughrean (winner of the Carnegie Medal)
The Moorchild by Eloise McGraw
Spindle's End by Robin McKinley
An Earthly Knight by Janet McNaughton
Sirena by Donna Jo Napoli
The Perilous Gard by Elizabeth Marie Pope
Changeling by Delia Sherman
Hannah's Garden by Midori Snyder
I Am Morgan le Fay by Nancy Springer
The New Policeman by Kate Thompson
The Faery Flag by Jane Yolen
Pay the Piper by Jane Yolen and Adam Stemple
Troll Bridge by Jane Yolen and Adam Stemple

Anthologies
So Fey: Queer Faery Fiction edited by Steven Berman
The Faery Reel: Tales from the Twilight Realm edited by Ellen Datlow and Terri Windling
Faery edited by Terri Windling
Fair Folk edited by Marvin Kaye
Fairy Folklore
The Vanishing People: Fairy Lore and Legends by Katherine Briggs
Erotic World of Faery by Maureen Duffy
The Fairy Faith in Celtic Countries by W.Y. Evans-Wentz
Fairy Mythology by Thomas Keightley
At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs and Other Troublesome Things by Diane Purkiss
British Goblins: Welsh Folklore, Fairy Mythology, Legends and Traditions by Wirt Sikes
Strange and Secret Peoples: Fairies and Victorian Consciousness by Carole G. Silver
British Fairy Origins by Lewis Spence
Irish Fairy and Folk Tales by William Butler Yeats
Reference Volumes:
An Encyclopedia of Fairiesby Katharine Briggs (emphasizing British folklore)
The Great Encyclopedia of Fairies by Pierre Dubois (emphasizing French folklore)
The Illustrated Encyclopedia of Fairies by Anna Franklin (fairy lore from around the world)

more will be added :o)

love & light
Trace x

Sunday, 15 November 2009

FAIRY AND FOLK TALES....





THE TROOPING FAIRIES.

The Irish word for fairy is sheehogue [sidheóg], a diminutive of "shee" in banshee.

Fairies are deenee shee [daoine sidhe] (fairy people).


Who are they?

"Fallen angels who were not good enough to be saved, nor bad enough to be lost," say the peasantry. "The gods of the earth," says the Book of Armagh.

"The gods of pagan Ireland," say the Irish antiquarians, "the Tuatha De Danān,

who, when no longer worshipped and fed with offerings, dwindled away in the popular imagination, and now are only a few spans high."

And they will tell you, in proof, that the names of fairy chiefs are the names of old Danān heroes, and the places where they especially gather together, Danān burying-places, and that

the Tuath De Danān used also to be called the slooa-shee [sheagh sidhe] (the fairy host),

or Marcra shee (the fairy cavalcade).

‘daoine sidhe’ (pronounced deenee shee)

Tuatha de Danann means ‘Children of Danu or Dana’ a legendary race of people who overthrew the Irish in ancient times. When the Tuatha de Danann was overthrown themselves by the Milesians they took shelter in earth barrows (sidhe).
Deprived of offerings and affection the Tuatha de Danann shrivelled and withered until they became the little people.

On the other hand, there is much evidence to prove them fallen angels.

Witness the nature of the creatures, their caprice, their way of being good to the good and evil to the evil, having every charm but conscience--consistency.

Beings so quickly offended that you must not speak much about them at all, and never call them anything but the "gentry", or else daoine maithe, which in English means good people, yet so easily pleased, they will do their best to keep misfortune away from you, if you leave a

p. 2

little milk for them on the window-sill over night. On the whole, the popular belief tells us most about them, telling us how they fell, and yet were not lost, because their evil was wholly without malice.

Are they "the gods of the earth"? Perhaps! Many poets, and all mystic and occult writers, in all ages and countries, have declared that behind the visible are chains on chains of conscious beings, who are not of heaven but of the earth, who have no inherent form but change according to their whim, or the mind that sees them. You cannot lift your hand without influencing and being influenced by hoards. The visible world is merely their skin. In dreams we go amongst them, and play with them, and combat with them. They are, perhaps, human souls in the crucible--these creatures of whim.

Do not think the fairies are always little.

Everything is capricious about them, even their size.

They seem to take what size or shape pleases them. Their chief occupations are feasting, fighting, and making love, and playing the most beautiful music. They have only one industrious person amongst them, the lepra-caun--the shoemaker. Perhaps they wear their shoes out with dancing. Near the village of Ballisodare is a little woman who lived amongst them seven years. When she came home she had no toes--she had danced them off.

They have three great festivals in the year--

May Eve, Midsummer Eve, November Eve.

On May Eve, every seventh year, they fight all round, but mostly on the "Plain-a-Bawn" (wherever that is), for the harvest, for the best ears of grain belong to them. An old man told me he saw them fight once; they tore the thatch off a house in the midst of it all. Had anyone else been near they would merely have seen a great wind whirling everything into the air as it passed. When the wind makes the straws and leaves whirl as it passes, that is the fairies, and the peasantry take off their hats and say, "God bless them".

On Midsummer Eve, when the bonfires are lighted on every hill in honour of St. John, the fairies are at their gayest, and sometimes steal away beautiful mortals to be their brides.


On November Eve they are at their gloomiest, for according to the old Gaelic reckoning, this is the first night of winter.

This night they dance with the ghosts, and the pooka is abroad, and witches make their spells, and girls set a table with food in the name of the devil, that the fetch of their future lover may come through the window and eat of the food.

After November Eve the blackberries are no longer wholesome, for the pooka has spoiled them.

When they are angry they paralyse men and cattle with their fairy darts.

When they are gay they sing. Many a poor girl has heard them, and pined away and died, for love of that singing. Plenty of the old beautiful tunes of Ireland are only their music, caught up by eavesdroppers. No wise peasant would hum "The Pretty Girl milking the Cow" near a fairy rath, for they are jealous, and do not like to hear their songs on clumsy mortal lips. Carolan, the last of the Irish bards, slept on a rath, and ever after the fairy tunes ran in his head, and made him the great man he was.

Do they die?

Blake saw a fairy's funeral; but in Ireland we say they are immortal.

Saturday, 14 November 2009

Remembrance Day in Britain November

November is the time of the year when we wear a red poppy in memory of those who sacrificed their lives for us during wars.

Remembrance Day is on 11 November. It is a special day set aside to remember all those men and women who were killed during the two World Wars and other conflicts. At one time the day was known as Armistice Day and was renamed Remembrance Day after the Second World War.

Remembrance Sunday is held on the second Sunday in November, which is usually the Sunday nearest to 11 November.

Special services are held at war memorials and churches all over Britain.

The idea of decoupling Armistice Day , the red poppy and later Remembrance Day from their military culture dates back to 1926, just a few years after the British Legion was persuaded to try using the red poppy as a fundraising tool in Britain.

A member of the No More War Movement suggested that the British Legion should be asked to imprint 'No More War' in the centre of the red poppies instead of ‘Haig Fund’ and failing this pacifists should make their own flowers.

Lets wear a WHITE POPPY......They represent PEACE and remember the lives lost ..


The White Poppy symbolises the belief that there are better ways to resolve conflicts than killing strangers.

http://www.whitepoppy.org.uk

Love & light

Trace x

Thursday, 12 November 2009

Attila design's shop on etsy...a modern fairytale



Rose Berry Harvest Sculpted Leather Cuff -

Fairy tale Romance Fashion accessory



Hand Made Fairy Lights....

























flower fairy lights

Fairy lights can be enhanced with feathers, paper, cardboard cones or...egg carton cups! These recycled cardboard cups offer an unusual texture and soft colors that, with minimal skills, can be turned into a vine of light-emitting morning glory. For this project, use LED lights only.

Save different colored egg cartons. With a pair of sturdy scissors, cut away excess cardboard surrounding the cup strips. Then cut

out each separate cup. With shorter scissors, trim the edges of each cup to form flower petals.

Starting at the cup opening, make a short slit into each side of the cup. Then simply insert one LED bulb into each "flower". Using a one-hole paper punch, make decorative holes on the flowers. See photos for pattern ideas, or invent your own!

Hang your fairy lights in a dark area, over a mirror or above a bed for a cozy, warm effect.

Idea/details from Magazine : Esprit Cabane..

Love & Light
Trace x