Showing posts with label 2015. Show all posts
Showing posts with label 2015. Show all posts

Friday, 12 February 2016

Book Reviews ~ NetGalley ~ A Carpet of Purple Flowers

Some lovely reviews from Netgalley ~ A Carpet of Purple Flowers


This was a fabulous book, with excellent writing and a fascinating story. I would absolutely love to read anything else this author has to offer. ~ Jessie T, Reviewer

This is a creative romance/paranormal/fantasy that takes place in London at a bookstore. I enjoyed the characters and the interaction between the different races. Bea is a bookseller who can see both the sects of an ancient race. They are usually invisible to humans and the fact that she can see both has them all confounded and vying for her attention. She falls in love with both leaders and is about to prompt a war between the two factions. She must explore her past to discover the secrets that might change the future. ~ Ann K, Bookseller

Link HERE
love and light
Trace
xoxo

Friday, 27 November 2015

In celebration ☆.•°*°•.☆Dark Fey: Standing in Shadows Release Party☆.•°*°•.☆ Win Literally Dozens of Books!


****NOW CLOSED****

I'm very excited to be a part of 
'Cynthia Morgan's Book Release'. :o) 

Join us for giveaways of books, swag, gift cards and a GRAND PRIZE loaded with Free BOOKS and more as we celebrate the release of Cynthia Morgan's New Release
Dark Fey: Standing in Shadows 

 Win Literally Dozens of Books This Weekend!

The photograph used on the cover of Dark Fey: Standing is Shadows is taken by French Photographer David Gentet. You can find more of his stunning photography on his Deviant Art Gallery HERE

Pop over and congratulate Cynthia on her book release! She would love to hear from you ~ Go on, make her smile. :o) 

27th November 09:00 Eastern Time (ET) 9:00 pm U.K (GMT)
until


30th November 09:00 Eastern Time (ET) 9:00 pm U.K (GMT)


☆.•°*°•.☆ Win Dozens of Books! HERE ☆.•°*°•.☆



As a part of this event *Giveaway*
NEWLY RELEASED DEBUT
A Signed Copy ~ 'A Carpet of Purple Flowers' 

ARE YOU READY FOR THE CONTEST?
***OPEN WORLDWIDE***


COMPETITION

To enter find the answers to the seven questions listed below. To make it easy, I've included a direct link to the page where the answers can be found. ;o) Then leave a comment on my blog (   ) stating why you would like to win 'A Carpet of Purple Flowers' and include the seven answers. 
Please remember to leave your email. 

1. What is the 'Chapter 1' title called? HERE
2. How old is Bea? HERE
3. What is the name given to glyths of the Otherworld? HERE
4. An artist kindly created a watercolour of the main character, Bea. What is her name? HERE
5. What is the title of the second book? HERE
6. What is Vororbla? HERE
7. What is Karian's soul number? HERE

That's it! On the 30th November 9:00 pm U.K (GMT) I will use a generator to choose the lucky winner. :o) Make sure you remember to leave your contact details. 

Don’t forget to invite your friends. Best of luck! Trace :o) 



The Kindle version is available in the U.S HERE (The paperback release is not until January 2016) ~ The winner of this contest, via this blog, will receive an early treat, a signed paperback, but if you can't wait, oversea orders can be made direct from Urbane Publications HERE

Kindle and Paperback U.K HERE  (Released 19th October 2015)

╔════════════════╗

AUTHORS  and Blogs

╚════════════════╝

A Star * Indicates this book is part of the Grand Prize!! HERE

List will be updated as more authors/bloggers join the party. :o) 

1. *Cynthia A. Morgan –  www.booknvolume.com 
2. *Roari Benjamin -  http://roaribenjamin.blogspot.com/ 
3. S. J. Hermann -  http://sjhermannauthor.blogspot.com/ 
4. Lynn Lamb -  http://www.lynnlamb.com/ 
5. Dorinda Duclos -  www.dorindaduclos.com 
6. *Charles E. Yallowitz –  www.legendsofwindemere.com 
7. *Dianne Astle –  www.amazon.com/Dianne-Astle/e/B00GNTH8A2
8. *Kasper Beaumont -  www.huntersofreloria.weebly.com 
9. *Nicole Storey -  http://www.nicolestoreyauthor.com/
10. Emma Woods -  https://theemmawoods.wordpress.com/ 
11. *Clarissa Johal -  www.amazon.com/Clarissa-Johal/e/B003KVTMPK
12. *Tracy Falbe –  http://www.herladyshipsquest.com/ 
13. *C.L. Schneider -  http://www.clschneiderauthor.com/ 
14. *D.B. Graves –  https://fivecanyonpublishing.wordpress.com/ 
15. * Ben Nelson -  http://anotherredletterday.com/
16. Christine Vann -  http://www.christinejayne.co.uk/
17. *Isabelle Connors -  www.isabelleconnors1.wordpress.com 
18. *Phill Syron_Jones -  http://goo.gl/7byfZQ 
19. *Tima Maria Lacoba -  timamarialacoba.blogspot.com 
20. *Stuart Kenyon –  stuartkenyon.wordpress.com 
21. *Morana Blue -  http://www.MoranaBlue.wordpress.com/ 
22. * Mary Burton King -  mbkingmysteries.com 
23. Stephanie Ayers -  http://ourwriteside.com/ 
24. *Carina Burns -  http://carinasueburns.com/ 
25. *Tracey-anne McCartney -  http://www.traceyannemccartney.com
26. *Jean Gill -  www.jeangill.com 
27. *Eichin Chang-Lim -  http://www.eichinchang-lim.com/author.htm 
28. *Eeva Lancaster -  http://www.eevalancaster.com/ 
29. Adri Sinclair -  http://www.adrisinclair.com/ 
30. *Catherine Mesick -  http://catherinemesick.blogspot.com/

Wishing you all the best!


love and light
Trace :o) 

Monday, 16 November 2015

***REVEAL**** BOOK CHARACTER ART by HELGA ~ KARIAN

Helga McLeod
Watercolour Artist from Cape Town, South Africa


Helga is available for commissions
Helga's Twitter: HERE
Facebook: HERE

Did you see the first Character,  Bea (Bethany), commission? 


Bea is wearing the seven pointed star 
Tattoo ~ What you seek is seeking you, Rumi
Book representing the bookshop, no.7
Purple Flower ~ Mystical binding Vororbla (karma)
Purple Mist of Calageata ~ Otherworld (a little piece of heaven)

*
***
****
**** REVEAL***
****
***
*

***KARIAN***

Karian Character Board HERE

Helga's Words:

I now have a character crush on Bea and Karian! 
Tracey, I loved painting this and as with Bea, it is such a special project - but one that I take extra serious because it's so close to your heart.

 I went with a smokey dark shadow that is almost more a mist, to show the Vororbla-energy as something more than a shadow but an ever-present dual reality. 

Karian's light / dark side are reflective of the different natures. Dark: a moody and almost ruthless side of him. Light: softer and emotional with sparks of a fun nature. His mouth too is smile-suggestive in the light side and more set in determination in the dark side.

~~~~~~~~~

Meaning and history of Karian's name: (Pronounced as KEH-RIY-AHN) -  Pinterest Character Board HERE

A Nordic (Swedish) name meaning pure.

Bearer's of this name, feel and sense much. There are many things that they do not fully understand, and can possibly be deeply influenced through the thoughts of others without realizing just how  they're being affected. Moods are a problem, as can be highly inspired one minute, and the next become quite irritated and annoyed over some ill-timed remark or lack of consideration on the part of someone close to them. They may experience suffering, caused by being abandoned and sacrificed at the hands of others. It is overall a tough and challenging name to have. He has a certain flair and charm that he tends to abuse. 

Karian (Persian: also Romanized as Karīān, Kareyān, and Karīyan; also known as Kariūn) is a village in Karian Rural District, in the Central District of Minab County, Hormozgan Province, Iran.

Greek spelling - Carian - The Greek historian Herodotus recorded that Carians themselves believed to be aborigines of Caria but they were also, by general consensus of ancient sources, a maritime people before being gradually pushed inland.

Soul Number: 11    Expression Number: 5

People with theses numbers tend to fight being restricted by rules and conventions. They are usually optimistic, energetic, intelligent, and make friends easily. They may be changeable, restless and rebellious.



Author's words:

Helga has perfectly captured Karian's the inner conflict of both light and darkness. This is an area that he has extreme difficulty coping with. He refers to his karma (Vororbla) as a shadow that haunts him, never able to shake off pain from the past.

The tree and falling petals are relevant to book two ~ Awake in Purple Dreams

Is this the Karian that you picture while reading? 
If not, who reminds you of him? 
Please leave a comment below letting me know your valuable thoughts.


Song reminds me of Karian


Song ~ Bea's thoughts


love and light
Trace
xoxo

Sunday, 1 November 2015

Guest Post via 'A Lover of Books' blog - Win a copy ~ 'A Carpet of Purple Flowers'



Sonya of 'A Lover of Books' blog kindly invited myself and others to attend her marvelous Halloween blog party. She has been a very attentive host. We were fed, watered and kept amused for hours with some really interesting posts. 
Please pop over and enjoy the Samhain spirit! :o) 
We would love to meet you there! 

You can find Sonya HERE ~

***Competition***

Matthew Smith of Urbane Publications is giving away 5 copies of
‘A Carpet of Purple Flowers’.
To enter just leave a comment on Sonya's blog post HERE telling her what you think of the cover.
Terms and Conditions

This competition is open worldwide.

The closing date is 11:59 p.m. on the 14th November 2015.

The winners will be randomly chosen and notified within 7 days of the closing date.  Their details will be given to Matthew Smith who will send out the prizes.

Post Excerpt:

This is the last post of this event.  Tracey-anne McCartney has recently had her debut novel, ‘A Carpet of Purple Flowers’ published.


The ramblings of a debut author

~ Slipping through the veil of worlds on All Hallows Eve/Samhain

Merry meet at the time of year when the veil between this world and the next is at its thinnest.

The old year has passed and sunset on Samhain marks the beginning of the Celtic New Year. So what better time to introduce my very own new beginning ~ A Carpet of Purple Flowers.

I believe that a certain magic is carried from our soul through to our creations – be it a piece of art, dance, poetry or form of storytelling, etc. With this belief in mind, I hope that I can spread a little magic your way.

Read more HERE


A super thank you, Sonya. I feel extremely honoured to have been a part of your amazing Halloween Event. I'm still whizzing through your blog on my broom, parking up by every post. Truly amazing blogging ~ Big hugs  ((( <3 nbsp="" p="">

love and light,
Trace
xoxo

Saturday, 31 October 2015

Hallows Eve ~ Samhain


“Be silent in that solitude,
Which is not loneliness—for then
The spirits of the dead, who stood
In life before thee, are again
In death around thee, and their will
Shall overshadow thee; be still.”

—From “Spirits of the Dead” by Edgar Allan Poe


Samhain (pronounced /ˈsɑːwɪn/ sah-win or /ˈsaʊ.ɪn/ sow-in Irish pronunciation: is a Gaelic festival marking the end of the harvest season and the beginning of winter or the "darker half" of the year. Traditionally, Samhain is celebrated from sunset on 31 October to sunset on 1 November, which is about halfway between the autumn equinox and the winter solstice. It is one of the four Gaelic seasonal festivals, along with Imbolc, Beltane and Lughnasadh. Historically, it was widely observed throughout Ireland, Scotland and the Isle of Man. Similar festivals are held at the same time of year in other Celtic lands; for example the Brythonic Calan Gaeaf (in Wales), Kalan Gwav (in Cornwall), and Kalan Goañv (in Brittany).

Samhain is believed to have pagan origins and there is evidence it has been an important date since ancient times. The Mound of the Hostages, a Neolithic passage tomb at the Hill of Tara, is aligned with the Samhain sunrise.


Samhain was seen as a liminal time, when the boundary between this world and the Otherworld could more easily be crossed. This meant the Aos Sí, the 'spirits' or 'fairies', could more easily come into our world. Most scholars see the Aos Sí as remnants of the pagan gods and nature spirits.

Karlsruhe Schloss, Germany (by r.dahl)

Offerings of food and drink were left outside for them. The souls of the dead were also thought to revisit their homes seeking hospitality. Feasts were had, at which the souls of dead kin were beckoned to attend and a place set at the table for them. Mumming and guising were part of the festival, and involved people going door-to-door in costume (or in disguise), often reciting verses in exchange for food. The costumes may have been a way of imitating, and disguising oneself from, the Aos Sí. Divination rituals and games were also a big part of the festival and often involved nuts and apples. In the late 19th century, Sir John Rhys and Sir James Frazer suggested that it was the "Celtic New Year", and this view has been repeated by some other scholars.

In the 9th century AD, Western Christianity shifted the date of All Saints' Day to 1 November, while 2 November later became All Souls' Day. Over time, Samhain and All Saints'/All Souls' merged to create the modern Halloween. Historians have used the name 'Samhain' to refer to Gaelic 'Halloween' customs up until the 19th century.


In Modern Irish the name is Samhain [ˈsˠaunʲ], in Scottish Gaelic Samhainn/Samhuinn [ˈsaũ.iɲ], and in Manx Gaelic Sauin. These are also the names of November in each language, shortened from Mí na Samhna (Irish), Mì na Samhna (Scottish Gaelic) and Mee Houney (Manx). The night of 31 October (Halloween) is Oíche Shamhna (Irish), Oidhche Shamhna (Scottish Gaelic) and Oie Houney (Manx), all meaning "Samhain night". 1 November, or the whole festival, may be called Lá Samhna (Irish), Là Samhna (Scottish Gaelic) and Laa Houney (Manx), all meaning "Samhain day".

These names all come from the Old Irish samain, samuin or samfuin [ˈsaṽɨnʲ] all referring to 1 November (latha na samna: 'samhain day'), and the festival and royal assembly held on that date in medieval Ireland (oenaig na samna: 'samhain assembly'). Its meaning is glossed as 'summer's end', and the frequent spelling with f suggests analysis by popular etymology as sam ('summer') and fuin ('end'). 

 It was one of four Gaelic seasonal festivals: Samhain (~1 November), Imbolc (~1 February), Beltane (~1 May) and Lughnasadh (~1 August). Samhain and Beltane, at the witherward side of the year from each other, are thought to have been the most important. 


Irish mythology was originally a spoken tradition, but much of it was eventually written down in the Middle Ages by Christian monks, who Christianized it to some extent. Nevertheless, these tales may shed some light on what Samhain meant and how it was marked in ancient Ireland.

Irish mythology tells us that Samhain was one of the four seasonal festivals of the year. The 10th-century tale Tochmarc Emire ('The Wooing of Emer') lists Samhain as the first of these four "quarter days".

In Aislinge Óengusa ('The Dream of Óengus') it is when he and his bride-to-be switch from bird to human form, and in Tochmarc Étaíne ('The Wooing of Étaín') it is the day on which Óengus claims the kingship of Brú na Bóinne.

Statue of Midir and Etain in Ardagh, Ireland
Ryan Stone

Tochmarc Étaíne, meaning "The Wooing of Étaín/Éadaoin", is an early text of the Irish Mythological Cycle, and also features characters from the Ulster Cycle and the Cycles of the Kings. It is partially preserved in the manuscript known as the Lebor na hUidre (c. 1106), and completely preserved in the Yellow Book of Lecan (c. 1401), written in language believed to date to the 8th or 9th century. It tells of the lives and loves of Étaín, a beautiful mortal woman of the Ulaid, and her involvement with Aengus and Midir of the Tuatha Dé Danann.

According to Irish mythology, Samhain (like Beltane) was a time when the 'doorways' to the Otherworld opened, allowing supernatural beings and the souls of the dead to come into our world; but while Beltane was a summer festival for the living, Samhain "was essentially a festival for the dead". The Boyhood Deeds of Fionn says that the sídhe (fairy mounds or portals to the Otherworld) "were always open at Samhain".



On 31 October, the locals would go down to the shore. One man would wade into the water up to his waist, where he would pour out a cup of ale and ask 'Seonaidh' ('Shoney'), whom he called "god of the sea", to bestow blessings on the Aos Sí. People also took special care not to offend the aos sí and sought to ward-off any who were out to cause mischief. They stayed near to home or, if forced to walk in the darkness, turned their clothing inside-out or carried iron or salt to keep them at bay.


The Hill of Ward (or Tlachta) in County Meath is thought to have been the site of a great Samhain gathering and bonfire; the Iron Age ringfort is said to have been where the goddess or druid Tlachta gave birth to triplets and where she later died.

As at Beltane, bonfires were lit on hilltops at Samhain and there were rituals involving them. However, by the modern era, they only seem to have been common along Scotland's Highland Line, on the Isle of Man, in north and mid Wales, and in parts of Ulster heavily settled by Scots. F. Marian McNeill says that a force-fire (or need-fire) was once the usual way of lighting them, but notes that this gradually fell out of use. Likewise, only certain kinds of wood may once have been used, but later records show that many kinds of flammable material were burnt. It is suggested that the fires were a kind of imitative or sympathetic magic – they mimicked the Sun, helping the "powers of growth" and holding back the decay and darkness of winter. They may also have served to symbolically "burn up and destroy all harmful influences". Accounts from the 18th and 19th centuries suggest that the fires (as well as their smoke and ashes) were deemed to have protective and cleansing powers.


People also took flames from the bonfire back to their homes. In northeastern Scotland, they carried burning fir around their fields to protect them, and on South Uist they did likewise with burning turf.

In some places, people doused their hearth fires on Samhain night. Each family then solemnly re-lit its hearth from the communal bonfire, thus bonding the families of the village together. 

In the 17th century, Geoffrey Keating wrote that the druids of ancient Ireland would gather on Tlachta on Samhain night to kindle a sacred fire. From this, every bonfire in the land was lit, and from thence every home in the land relit their hearth, which had been doused that night. However, his source is unknown, and Ronald Hutton supposes that Keating had mistaken a Beltane custom for a Samhain one. Dousing the old fire and bringing in the new may have been a way of banishing evil, which was done at New Year festivals in many countries.


The belief that the souls of the dead return home on one night of the year seems to have ancient origins and is found in many cultures throughout the world.

More HERE

Halloween, or Hallowe'en ( a contraction of "All Hallows’ Evening"), also known as Allhalloween, All Hallows' Eve, or All Saints' Eve, is a yearly celebration observed in a number of countries on 31 October, the eve of the Western Christian feast of All Hallows' Day. It begins the three-day observance of Allhallowtide, the time in the liturgical year dedicated to remembering the dead, including saints (hallows), martyrs, and all the faithful departed believers.

Typical contemporary festive Halloween activities include trick-or-treating (or the related "guising"), attending costume parties, decorating, carving pumpkins into jack-o'-lanterns, lighting bonfires, apple bobbing and divination games, playing pranks, visiting haunted attractions, telling scary stories and watching horror films. In many parts of the world, the Christian religious observances of All Hallows' Eve, including attending church services and lighting candles on the graves of the dead, remain popular, although in other locations, these solemn customs are less pronounced in favor of a more commercial and secular celebration. 

Because many Western Christian denominations encourage, although most no longer require, abstinence from meat on All Hallows' Eve, the tradition of eating certain vegetarian foods for this vigil day developed, including the consumption of apples, colcannon, cider, potato pancakes, and soul cakes.

The word Halloween or Hallowe'en dates to about 1745 and is of Christian origin. The word "Halloween" means "hallowed evening" or "holy evening". It comes from a Scottish term for All Hallows' Eve (the evening before All Hallows' Day). In Scots, the word "eve" is even, and this is contracted to e'en or een. Over time, (All) Hallow(s) E(v)en evolved into Halloween. Although the phrase "All Hallows'" is found in Old English (ealra hālgena mæssedæg, all saints mass-day), "All Hallows' Eve" is itself not seen until 1556.

It has been suggested that the carved jack-o'-lantern, a popular symbol of Halloween, originally represented the souls of the dead. On Halloween, in medieval Europe, "fires [were] lit to guide these souls on their way and deflect them from haunting honest Christian folk." Households in Austria, England and Ireland often had "candles burning in every room to guide the souls back to visit their earthly homes". These were known as "soul lights". Many Christians in mainland Europe, especially in France, believed "that once a year, on Hallowe'en, the dead of the churchyards rose for one wild, hideous carnival" known as the danse macabre, which has often been depicted in church decoration.


The rising popularity of Guy Fawkes Night (5 November) from 1605 onward, saw many Halloween traditions appropriated by that holiday instead, and Halloween's popularity waned in Britain, with the noteworthy exception of Scotland. There and in Ireland, they had been celebrating Samhain and Halloween since at least the early Middle Ages, and the Scottish kirk took a more pragmatic approach to Halloween, seeing it as important to the life cycle and rites of passage of communities and thus ensuring its survival in the country.

In France, some Christian families, on the night of All Hallows' Eve, prayed beside the graves of their loved ones, setting down dishes full of milk for them. On Halloween, in Italy, some families left a large meal out for ghosts of their passed relatives, before they departed for church services. In Spain, on this night, special pastries are baked, known as "bones of the holy" (Spanish: Huesos de Santo) and put them on the graves of the churchyard, a practice that continues to this day.

In Ireland and Scotland, the turnip has traditionally been carved during Halloween, but immigrants to North America used the native pumpkin, which is both much softer and much larger – making it easier to carve than a turnip. The American tradition of carving pumpkins is recorded in 1837 and was originally associated with harvest time in general, not becoming specifically associated with Halloween until the mid-to-late 19th century.
In England, from the medieval period, up until the 1930s, people practiced the Christian custom of souling on Halloween, which involved groups of soulers, both Protestant and Catholic, going from parish to parish, begging the rich for soul cakes, in exchange for praying for the souls of the givers and their friends. In Scotland and Ireland, guising – children disguised in costume going from door to door for food or coins  – is a traditional Halloween custom, and is recorded in Scotland at Halloween in 1895 where masqueraders in disguise carrying lanterns made out of scooped out turnips, visit homes to be rewarded with cakes, fruit and money.

While the first reference to "guising" in North America occurs in 1911, another reference to ritual begging on Halloween appears, place unknown, in 1915, with a third reference in Chicago in 1920. The earliest known use in print of the term "trick or treat" appears in 1927, in the Blackie Herald Alberta, Canada.
There are several games traditionally associated with Halloween parties. One common game is dunking or apple bobbing, which may be called "dooking" in Scotland in which apples float in a tub or a large basin of water and the participants must use their teeth to remove an apple from the basin. The practice is thought by some to have derived from the Roman practices in celebration of Pomona. A variant of dunking involves kneeling on a chair, holding a fork between the teeth and trying to drive the fork into an apple. Another common game involves hanging up treacle or syrup-coated scones by strings; these must be eaten without using hands while they remain attached to the string, an activity that inevitably leads to a very sticky face.
Some games traditionally played at Halloween are forms of divination. In All Hallows' Eve celebrations during the Middle Ages, these activities historically occurred only in rural areas of medieval Europe and were only done by a "rare few" as these were considered to be "deadly serious" practices. A traditional Scottish form of divining one's future spouse is to carve an apple in one long strip, then toss the peel over one's shoulder. The peel is believed to land in the shape of the first letter of the future spouse's name.
Unmarried women were told that if they sat in a darkened room and gazed into a mirror on Halloween night, the face of their future husband would appear in the mirror.
Another game/superstition that was enjoyed in the early 1900s involved walnut shells. People would write fortunes in milk on white paper. After drying, the paper was folded and placed in walnut shells. When the shell was warmed, milk would turn brown therefore the writing would appear on what looked like blank paper.
Folks would also play fortune teller. In order to play this game, symbols were cut out of paper and placed on a platter. Someone would enter a dark room and was ordered to put her hand on a piece of ice then lay it on a platter. Her "fortune" would stick to the hand. Paper symbols included: dollar sign-wealth, button-bachelorhood, thimble-spinsterhood, clothespin- poverty, rice-wedding, umbrella- journey, caldron-trouble, 4-leaf clover- good luck, penny-fortune, ring-early marriage, and key-fame.

Spending Halloween in London?
http://www.timeout.com/london/things-to-do/halloween-in-london


love and light
Trace
xoxo